Tag: Obama

Cool (Hot) Beets

I’m writing this from my kitchen -my place of refuge, my studio, my laboratory, all rolled in one. It’s funny how such a simple change of locale -from upstairs to down -can drastically alter the way one approaches one’s work. No wonder coffee shops are so filled with people on laptops; what is sometimes lost in personal interconnection in such circumstances is often gained in the field of inspiration and initiative (though I’d argue one is deeply connected with the other).

So, after much thought -and a joyous session in roasting beets (more below), I’ve decided to include simple recipes as part of Play Anon. Rather than watering down its content, I feel it will add to, and complement it. Food is as much a part of culture as theatre, dance, painting, sculpture, electronic art, and so on -though it is also vastly more immediate, and I feel, intimate in its nature. Food is what we share as humans. We cannot live without eating. And like all cultural things, it provides needed nourishment -not only to our bodies, but on spiritual, mental, and emotional levels.

Right now, I’m typing with hands softened by good olive oil, just used to anoint the beets which now roast in the oven. I love beets, and always have done, ever since I was a child, standing beside my mother, hands stained purple, carefully peeling, apron firmly tied. I grew up thinking there was only one way to prepare them -that is, my mother’s method: boil to death, messily peel, drown in butter. While I’m not immune to the charms of butter and salt (though now, I’m finding good quality in each harder to come by), I feel treating such a beautiful vegetable so heinously borders on the sinful. Basic rule: if the vegetable is good, it should stand on its own. Period.

So while I applaud Lucy Waverman integrating beets into various dishes to tempt the palette of any beet-hating President, I prefer my purpley root veg straight-up. Antony John understands this. I had the wonderful fortune of visiting his beautiful farm, Soiled Reputation, last month. Sitting just outside the town of Stratford, Ontario, the farm grows organic vegetables which are then used in many restaurants across the Southern end of the province. Jamie Kennedy, the activist-chef (and one of my very-favourites, for his food and his ethos), uses Soiled Reputation’s veg, including their lovely, feathery greens, filled with sweet and bitter tastes.

One of the things I brought back from my trip was a bag of beets. Though pink on the outside, they’re white on the inside. They yield a sweeter flavour than regular beets, and I am wagering, roast up deliciously.

Roasting is, incidentally, my favourite method, though I have also experimented with marinating sliced beets in good balsamic, and then barbequing, both with foil and without. But there’s something awfully comforting about the smell of roast-anything wafting through the house, particularly as temperatures drop and the season turns. With the advent of autumn, root vegetables come back to prominence at my table.

Depending on the size of the beets, you may wish to slice them (I chopped a few bigger ones in half width-wise) and i always take the top off (the part where the greens sprout), though I tend to leave the “tail” -there’s something so merry about them, even if you can’t (or won’t) eat that portion.

So you will need:

Roughly 12 beets, small, or 8 small, 2 medium, 1-2 large, all very well-scrubbed.

  • Leave the small beets whole; chop the medium beets in half width-wise; chop the large beets in manageable chunks.
  • Pour good olive oil on top -about 3-4 tsp should be enough, but use your judgment; you don’t want them swimming or dripping in it, but you want enough to lubricate the beets and the casserole dish they’re sitting snugly in, rosy cheek to pale jowl.
  • Sprinkle salt on top: sea, rock, red, whatever you wish.
  • Toss with your bare hands.
  • Cover with foil, loosely; pop into a pre-heated oven (400F) for about 15 minutes; check after that to see if they’re done how you like, or if you need to add more oil.

I’d leave them in another 15-20 minutes. Prick with a fork if you’re really not sure but they’ll be making little sizzley sounds to indicate they’re cooked.

And… that’s it.

Really, wasn’t that easy?

Addendum: 30ish minutes did the trick. Delicious, succulent, sweet, and rich. I said it before, I’ll say it again: beets are beautiful. Take that, Mr. Obama.

Stimulate The Future, Argues Florida

In a brilliant piece in this weekend’s edition of The Globe and Mail, Richard Florida argues that investment in the arts is an integral part of solving the current economic crisis. As I swallowed down rivers of tea and tried to mind the bad news exploding from every corner, recalled Obama’s past support for the National Endowment for the Arts. All things considered, Florida’s argument makes a wonderful kind of sense:

What drives the economy today is not the old mix of highways and single-family homes but new, idea-driven industries. They range from software, communication devices and biotechnologies to culture and entertainment – and importantly the convergence of the two.

What I love about Florida’s writing is that he isn’t into finger-pointing and blame so much as solutions and ideas. Seems like that’s just what the doctor ordered. Now if only I could figure out a way to stop getting colds.

Just ‘Cause

A few items of interest presented themselves today.

The first is a fantastic piece courtesy of the New York Times’ video site detailing a new theatre piece that involves the use of mobile phones and computers. I confess, I initially had a few doubts about this, but seeing the participants’ reactions, thinking about the intimacy being created (especially via modern technology), well… I’m a believer. Check it out.

Still with the Times is a video covering the recent art show in Baghdad called The Art Of Reinvention (along with a written article). Fascinating for the way politics is so deeply interwoven with art -art’s taken on a whole different significance for the people of Iraq. To quote the article,

“Isn’t it pessimistic?” a person in the crowd of visitors asked the exhibition’s curator, Asad al-Sagheer, as he described an unsettling composition of death masks, painted in thick strokes of red and blue. The artist, Halim Qassim, found inspiration in Baghdad’s central morgue, near his home in Babalmuabhm, a place once overflowing with corpses.

“He thinks there’s beauty in the faces,” Mr. Sagheer said, “even after they’ve been killed.”

Closer to home, people are getting the role arts and culture plays in daily life. Apparently the National Endowment for the Arts is getting additional funding as part of President Obama’s stimulus package, and artist Chuck Close thinks there’s no better time than tough times -now -to be an artist, despite his opinion that the Depression didn’t produce especially good art.

“When we’ve had major times of financial distress in this country.. .a lot of people argue that some of the best work was made. I don’t think it was America’s greatest hour; art… the best period for me in American art was the 50s and early 60s… That could be seen as a time when America opened its arms to … immigrants, and we became a beacon as a free and open society, and attracted some of the best and brightest from all over the world.”

Hopes Bud; Get dashed. Sort of.

The Federal Budget was released this afternoon. Every television channel and radio station in Canada was covering the announcement; this is a big one for us, because it could mean the fall of the current Conservative government over a vote of non-confidence by opposition parties, if they don’t like what they see. And the dissolution of Parliament could mean an election within months.

So far, there’s been reaction from two of Canada’s opposition parties: the NDP and the Bloc. Verdict for both? Thumbs down to Jim Flaherty et al. Liberal leader Michael Ignatieff (leader of the third opposition party) spoke briefly with reporters too; the rise or fall of the Stephen Harper’s Conservatives essentially rests with Ignatieff and the Grits. What did he say? He didn’t. While he likes some elements, he and the party have issues with other things tabled within Flaherty’s report. He’s going to announce the Liberal reaction tomorrow at 11am.

It was with particular interest that I’ve been noting the expectations and hopes centred around the release of today’s budget; in some ways they very much mirror the expectations and hopes surrounding the start of the Obama presidency. Lord knows there are many, many issues at hand right now -the economy being the biggest. But as an arts-lover, I don’t necessarily think art and the economy are at odds. James Bradshaw reported on the connections between the two recently. Arts economy is economy, period. It’s work, it’s money, it’s energy. It seems like Heritage Minister James Moore understands this. There’s been a nice allocation of money ($160 million, in fact) put towards the arts sector. President Obama gets the relationship between the two as well.

But in the same way there’s an inherent connection with arts and economy, there exists the same between the latter and environment. Everything is everything, and it seems like more people are aware of that, even as there are those who cling desperately to the old ways. James Clancy, President of the National Union of Public and General Employees, lays out the intimate connections between environment and economy in a convincing piece on Green Nexxus. He says: “This is the opportunity of our lifetime; to lead the transformation to a stronger economy and a cleaner environment.” I’d add, “and a vibrant arts scene” to that.

Binding everything is our access to share and deseminate information. The Globe and Mail created a Wiki on Public Policy in anticipation of the budget, and it was a neat bit of interaction. CBC and Cisco started One Million Acts of Green back in the fall (encouragingly, they’re seven months ahead of schedule in hitting their target, too). The budget announcement this afternoon featured live blogging by various media. Part of President Obama’s stimulus package includes money for technology. Now that’s forward-thinking… make that present-thinking, and present-embracing. Michael Geist has thoughts about the Conservatives’ allocation of money for technology and comparisons to spending in other countries. It all underlines the ways in which the internet have re-shaped our perceptions and understandings around the most vital issues of the day.

Now, let’s wait to hear what Mr. Ignatieff will say tomorrow morning. I’ll be watching online, and wondering who will be adding voices to the discussion.

My Favourite Things

I don’t like lists. It’s the main reason I resist writing hoary old “Top Ten Shows of 2008” sorts of things. Unless a writer/artist experiences a heck of a lot of different things (not just theatre, but music, cinema, telly, & you know, life) they’re going to be creating from inside a navel-gazing bubble. So instead of doing a formal list of shows I liked in 2008, I’m going to provide a few favourite live moments from 2008, along with stuff I’m looking forward to in 2009. Call it the Ghosts of Good Stuff, Past & Future.

2008:

Festen / Someone Who’ll Watch Over Me: The Berkeley Street Theatre ended the year with a duo of powerhouse dramas in both its upstairs and downstairs spaces. Both about families of different sorts, the skillfully directed and acted works were punches to the gut, and stayed with me far past my exiting the theatre’s doors.

The Music Man / Moby Dick: The yin and yang of the Stratford Festival this past season. Both seeming-opposites, playing in the largest and smallest festival spaces respectively, and yet both had so much in common. I had to think for hours which one was actually more epic -the story of man vs. whale or man-in-a-small-town (on the surface anyway). Brilliantly directed, with charismatic leading men, the Festival made a brave, brilliant choice to have two such works playing at the same time.

Rachid Taha: The Algerian-French singer’s concert at the Phoenix in July was a mix of Arab, rock, pop, dance, punk, chaabi, and… everything else. In an interview last year, he quoted Frank Zappa in describing his music as couscous. No kidding. A sweaty good time, Taha and his 7-man band played for a riotous, celebratory two-plus hours. Not a word was in English, either. It didn’t matter. Brilliant.

The Williamson Playboys: Opening the Toronto Sketch Comedy Festival with a host of other acts, the Playboys (played with ferocious playfulness by Doug Morency and Paul Bates) won over the crowd with their mix of gentle, fierce, silly and profound. I haven’t laughed so hard, for so long, in… too long. Lesson learned: you just haven’t lived until you’ve heard Led Zeppelin’s Black Dog played with just a ukelele and tuba.

Nigella Express / Nigella’s Christmas Kitchen: I know, I know. This isn’t technically a series, so much as it is a chance to ogle the British Domestic Goddess. But the tips are really practical (if you can pay enough attention) and the results are damn good. In this case, it is as easy as it looks. Honest. And Nigella’s love of food is a joyful expression of life -something we all need to remember.

Election night: After the drama of the Democratics, then the even-more-dramatic U.S. election campaign that featured an assortment of interesting players, the whole thing culminated in a huge gathering in Chicago. Jesse Jackson’s tears, chanting masses, Oprah’s runny mascara, and the President-Elect’s confident waves and smiles made for a moving, affecting piece of real, live theatre. I’ve never seen anything like it. Part 2: The Inauguration, coming soon.

2009:

Blackbird: Written by David Harrower and directed by Joel Greenburg, Studio 180 is back at the Berkeley after last year’s stunning Stuff Happens, David Hare’s deconstruction of the politics behind the Iraq War. If Blackbird is anywhere near as thrilling and compelling, the Berkeley will have another solid play under its roof.

Antigone: The timely Sophocles tragedy gets the Soulpepper treatment. A favourite play of mine (personal disclosure: I starred in a production in London moons ago), I can’t wait to see powerhouse actor Liisa Repo-Martell in the lead, chewing the scenery a host of other great Canadian actors, including David Storch and Claire Calnan.

Them And Us: Actor/writer Tracy Dawson’s take on modern relating gets a theatrical exploration. I know, I know, I can hear every male friend of mine yawning at the thought of sitting through a play about… relationships. But if Dawson’s energy is anything to go on (I interviewed her recently), the show is sure to be sarcastic, funny, insightful, and have something for both genders.

The Entertainer: John Osbourne’s rarely-performed piece (in Canada, anyway) receives a production at the Shaw Festival, courtesy of Shaw Fest Artistic Director Jackie Maxwell. Exploring notions of “entertainment” and our expectations around it, the piece has a timely relevance, and features some of Canada’s finest performers, including Benedict Campbell in the lead.

The Soloist: Joe Wright’s filmic adaptation of the Steve Lopez book. Lopez is a columnist with the L.A. Times who met the homeless Nathaniel Ayers years ago; the book explores their relationship, and the vitality of music, art, and writing. Featuring Robert Downey Jr. as Lopez and Jamie Foxx as Ayers, I’m thinking this will be one for the Oscar voters next year.

Jessica Lea Mayfield: The singer/songwriter from Kent, Ohio caught me with her beautiful tune, “Kiss Me Again.” Thoughtful without being pretentious, uncomplicated without being folksy, she’s an interesting combination of Cat Power, Patti Smith, and Joni Mitchell, but definitely brings a style all her own. And she’s only 19. Holy smokes.

Confusion Reigns

I don’t know what to make of this.

My first feeling is that $100,000 could be so much better-spent inviting Canadian groups to present their works overseas. It would certainly go farther. Artists, last I checked, could barely afford their rent, let alone fancy hotels or European jaunts.

However, my second instinct says Canada’s Governor-General is a really good ambassador to sell Canada’s cultural industry abroad. It’s part of her function, and it’s good to have a smart, accomlished, classy figure like Michaelle Jean as the public face of this country internationally.

In stark contrast to those who feel that $100,000 is too much money to be wasting in these economic times, I point you to a certain politician’s platform on the arts, and his stance on the importance of promoting them amidst harsh economic times.

Not only is arts education indispensable for success in a rapidly changing, high skill, information economy, but studies show that arts education raises test scores in other subject areas as well.

As Russell Smith pointed out last week, it’s precisely in such times that people turn to the arts. The 50,000+ who lined up in the cold to get a peek at the new Art Gallery of Ontario this past weekend are proof positive that art matters to people -all people, not just some of them.

Oh, and it makes a whack of dough too. I’m just not sure Mme. Jean’s overseas visit is the best way to use our resources right now. Considering the Conservatives are all about fiscal prudence, it seems like a bit of a waste not to consult the arts community about what they want first. Surely they could be of help in advising on matters like cultural diplomacy? Hmmm. Considering the resourcefulness of this country’s artists, it seems like a pity they weren’t consulted.

Alice Speaks

 

If you’re interested, I shared my personal thoughts on the election over at my Myspace blog. Allons-y.

Yes.

Powered by WordPress & Theme by Anders Norén